Abraxas
Club ruled in the '70s
By Carl Hoover, Waco Tribune-Herald
Oct.10, 2005
For hundreds of Waco music fans in the early
1970s, the Abraxas Club offered a slice of
Austin on the Old Dallas Highway .
From name acts in rock and Tejano music to
a laid-back vibe, from the socializing and
politicking that went on there to a reputation
for drug use, the Abraxas created many fond
memories in its four-year lifetime.
Austin , in fact, inspired the five men who
started the nightclub in 1970. "We had
been going to Austin to hear the music and
thought, “Why can't we have one here?'” recalled
Steve Espinoza, one of the club's five original
partners.
They set up shop at 1509 Old Dallas Highway
in a cinderblock building that once housed
The Terrace Club, a country music nightclub
where a younger Willie Nelson sometimes played.
With an Austin booking agent working for the
Abraxas – the name was taken from rock guitarist
Carlos Santana's famous 1970 album – the Waco
club welcomed a Who's Who of Austin rock and
Tejano music.
Among the best-known: Stevie Ray Vaughan,
Jimmy Vaughan and the Thunderbirds, Paul Ray
and the Cobras, Ruben Ramos, Angela Strehli,
Tierra Tejana, Los Fabulosos, Slip of the Wrist,
Crackerjack and Texas.
The Abraxas stage always had the red carpet
rolled out for bands – literally – and many
recalled the yellow-and-green sun painted behind
the stage, the club's dark interior, its loud
sound system and its Sunday afternoon barbecues.
“Oh, yeah, it was one of the coolest clubs
here” recalled Waco rhythm-and-blues musician
Tony Calhoun.
Calhoun, trained in trumpet and classical
piano, dropped in whenever he and his mother
visited his grandmother in Mart.
What Calhoun saw on the Abraxas stage, and
at Waco 's Walker Auditorium, were professional
musicians who knew their craft. “These guys
knew what they were doing,” he said.
David Zychek, one of the area's best known
hard rock guitarists, credited the club with
making him and his colleagues in the band called
Texas , then based outside of Houston , more
serious about their music.
Texas ' regular gigs at the Abraxas typically
packed the club, and Zychek fondly remembers
the venue's management. “They treated us like
royalty . . . and we got paid, even,” he said.
When Texas split up, its farewell concert
was at the Abraxas Club, and fans' boisterous
reception helped nudge Zychek and several of
his bandmates into careers of creating original
music.
The Abraxas Club also served as a meeting
spot for the burgeoning Chicano movement in
Texas .
Both Espinoza and El Tiempo publisher Ernesto
Fraga belonged to the Mexican American Youth
Organization, which evolved into the La Raza
Unida political party in the early 1970s.
Fraga left for Austin in 1970, but recalls
the Abraxas as a meeting place for Chicano
activists.
While the Abraxas was identified as a Hispanic
club, it was far from exclusive. Both white
and black musicians remembered it as a place
where races came together for the music.
“It was my first time ever to party with Mexicans,” said
Calhoun, who is black. “Everyone who went in
was welcome.”
That was intentional, Espinoza said. “We wanted
to show everybody being fair,” he said.
Espinoza said the club's reputation at the
time as a drug haven was overblown and incorrect – some
musicians recall otherwise – but pressure from
local police and the Texas Alcoholic Beverage
Commission eventually led to the club's closing
in 1974.
“We got raided every other month,” chuckled
Willie Fuentes, who worked the club's security.
Espinoza, Fuentes and others connected with
the club moved to Austin , only to return in
Waco in later years.
Texas Meter and Device Company presently occupies
the former Abraxas building; in fact, Espinoza
says he was once hired to repaint his former
club's interior.
Scores of fans and friends attended a 1991
Abraxas reunion held at the Waco Missions Club.
The music's gone, but the memories remain. “It
was one of the coolest places in Texas ,” said
Zychek.
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